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Pacific Rim
Release Date: July 12, 2013
Reviewed: July 17, 2013, 11:58 p.m.
Pacific Rim image Sadly, none of the Pacific Rim's biggest stars make an appearance.
Get Lasik.
I hope Pacific Rim is as cool as it looks in the trailer… I hope.
By: Christian Treubig
Pacific Rim image
FYI, the Asian chick gets naked in Babel.

It’s tough to impress a guy like me with Pacific Rim’s “monsters rising from the deep” premise. I’ve already been face to face with the worst the sea has to offer, and came out on top. Back in ’02, my high school buddy Regis and I were doing our normal Saturday night routine of signing on to AIM in hopes of getting invited to a party anywhere in the greater Los Angeles area. As usual, I tried to bait people into thinking I was cool, putting up away messages like “Pre-gamin’ wit my boy Reggie… ‘nuff said.” They didn’t bite though, and I went the whole night without hearing that sweet AIM message ping. So Regis and I settled into our typical plan B of checking out the latest DVD on TV installment on FX whilst drinking wide-mouth Miller Lites. That night’s feature was Deep Blue Sea, perfect for us lifelong Sam Jackson fans. We would often volunteer answers in American history class containing thinly veiled Jules Winnfield references, and then slap each other high-fives as soon as Mr. Steadman turned back to the chalkboard. Chicks dug it.

Regis and I had a lot of pep in our step that night, and we weren’t prepared to let the highlight of yet another weekend be Regis’ rapid-fire beeping and implicit eff-you to society when we exited the school parking lot in his sister’s Hyundai Accent on Friday afternoon. We were brooding young men, only in need of a catalyst and 2.5 beers to channel that youthful angst into action. Seeing Sam Jackson, our social touchstone, get eaten by a shark was just that catalyst. We deliberated for about three minutes, desperately checked our buddy lists one more time, and then both reached the same conclusion. We decided, that before the night was over, we would kill a shark. And we didn’t want a clean kill. We needed scars, so there would be no doubt amongst the alphas that we outcasts were also capable of having weekends that left one looking annihilated on Monday morning.

So we hopped on our longboards and rolled down to the Manhattan Beach pier, ready to hotwire whichever boat caught our inebriated eyes. We found a perfect candidate in The Swervin’ Earvin, Magic Johnson’s fishing yacht. Assuming he had long since been claimed by his immune deficiency, we figured a quick joyride was a victimless crime. Within minutes, we were halfway between LA and Catalina Island, going full throttle with the spotlight panning the strait in search of any sizeable sea life, but none was to be found. We needed bait, but the boat was barren. So we did the next best thing. First, we cranked up Regis’ Hoobastank CD and did 25 jumping jacks to get the blood flowing. Then, obviously, we slit all four of our wrists with fishing hooks. Blood gushed out like a Yosemite geyser. We calmly walked to the bow of the boat and spread our arms to the heavens, spraying our inviting plasma across the Pacific. It worked like a charm. Within a minute, a great white appeared. Awesome. Regis politely handed his Miller Lite to me and quietly muttered “I got this one.” He jumped straight onto the nose of the shark, opening up the epic man versus beast battle with a left jab and right hook. “Yea, Reggie!” I screamed, as I smashed his beer can on my forehead.

I never saw Regis again. The Coast Guard got to me just in time. I had apparently passed out from blood loss and fallen into the ocean. They say the only reason the shark didn’t eat me as well is because I was wearing the Michigan State Spartan armor that I found in Magic’s sleeping quarters. So while I lost my best friend, I consider the overall experience a wash, as my newfound notoriety at school managed to get an entire half of the inside cover of my yearbook signed by people other than teachers.

So while I went into the theater a bit jaded, Pacific Rim impressed me right off the bat. It wastes no time getting us knee deep in a decade-long war between humans and Kaiju, which are giant lizards. I’m sure the writers will tell you they’re oh so much more than that, but don’t indulge them. While the “giant amphibious monster” scenario has been done countless times over, this movie really makes you appreciate the sheer size of the antagonists.

Your first glimpse of a Kaiju is an archived news clip of humanity’s first encounter with one, shot from a car on the Golden Gate Bridge as the top of the creature’s scalp approaches from the west, making its intentions known by promptly destroying the span. A bit later, we see another news clip of a Kaiju breaking through Sydney’s defensive wall, towering over the eponymous opera house. Both of these scenes have been noted by this here reviewer because they have two excellent characteristics: they take place in daylight and make full use of 2013-quality visual effects. However, for the great majority of the movie, only that latter trait is exercised. This is a great looking film, but when it comes down to the nitty-gritty scenes of humanity battling the giant lizards, those encounters invariably take place either at night or in terribly inclement weather. The sense of scale that Pacific Rim establishes is diluted by the fact that we often only see the Kaiju against a backdrop of dark sky.

The Kaiju have been systematically attacking Pacific coastal cities by appearing through some type of worm hole on the ocean floor. Humanity’s response, of course, is to build giant mechs (called Jaegers) requiring dual pilots whose left and right brains are melded via a neural link, with the mech mimicking the physical motions of the pilots. It’s never really explained why a single pilot’s brain would be overloaded by any attempt to go solo, or why they couldn’t just use a Sega Saturn controller. This contrived plot point does pay off though, as it requires both pilots to pull off some cool looking choreography. The cockpit is a well-done instance of flashy CGI, with the two pilots standing side by side as constantly evolving battle parameters are conveyed in colorful text and images floating 360 degrees around them.

The battles between the Kaiju and Jaegers yearn to be spectacular, but they end up only being very good. Besides the aforementioned dull battlegrounds, there is a distinct lack of variety in each sides’ combat mechs/monsters. This doesn’t make sense, because we are told explicitly that humanity’s Jaegers have been constantly updated over time, and that the Kaiju are able to evolve into any form they desire. Yet, all of the Jaegers look very similar, as do the Kaiju save for different skin colors (which you can’t see cuz it’s dark) or ear/horn/tail placement. You also check out of the battles pretty quickly, as they all follow the same formula. Things start out as an MMA fight, with each party pounding the other one into the ground/ocean. Then, as soon as the Kaiju gets the upper hand, the Jaeger rolls out a killer weapon that the pilots knew would bring things to a halt all along.

If you’re into giant lizards and mechs, you’ll love Pacific Rim, but if you’re into acting, steer clear. The producers seemed to make the conscious decision to avoid any A-list talent, and it doesn’t work. The lead Jaeger pilot is played by some no-name 30-ish white guy who would be about as effective at carrying any potential sequel as I am at carrying my bowels after a three-day weekend of Taco Bell and moderate drinking. I suspect director Guillermo Of The Bull wanted to turn this thing into a tweener of a box office smash with cult status street cred. In an effort to make the film endearing, incredibly cheesy dialogue is employed throughout, delivered by B and C-List actors who were apparently told to forget everything they learned at Tisch. Evidence of this is Idris Elba, the highest profile cast member, whose competence as a star of the silver screen is well-chronicled by his extensive filmography. While perhaps his Pacific Rim co-stars just aren’t that good, we know he is. Throughout the film, he inexplicably struggles with childlishly simple dialogue, as if Guillermo told him to dumb it down to avoid any tension with the lesser actors when they meet at the catering trailer for lunch.

If you’re going to go the bad acting/good action route, then you need to stick with the latter wherever possible. They don’t though, and far too much of the movie concentrates on the attempted drama surrounding the main white guy. This includes his cliché chance at redemption following his retirement from the Jaeger program, his cliché arguments with commanding officer Elba regarding when he’ll finally be allowed back into battle, and his cliché love affair with the token attractive female. Main White Guy and the deaf-mute Asian chick from Babel fall in love in their first scene together for no apparent reason, other than being the two best-looking people on screen. Must be nice to be attractive, something a perpetual butterface like myself would know nothing about, regardless of how many lunch hours I spend at Work Out World.

Pacific Rim’s spectacular displays of massive robots and lizards alone are nearly enough make this a very good movie, but the final verdict is close. If you’re unsure, there is a far superior alternative in Atlantic Rim, for which golden statues are surely pending.

SCORE (Out of 10):
5
Get Lasik.
A fantastic assembly of Television actors
By: Steve Loori
Pacific Rim image
Regulators! Mount up.

Let me start by saying that I had no idea what to think of Pacific Rim before seeing it. The information I did have was limited to the vague trailer, which is something I was fine with. The concept did not make a ton of sense to me and I was rather apathetic towards the idea of giant robotic figures fighting against huge creatures. But it did have Idris Elba, so I had a feeling it could not be too bad, even if his “today we are cancelling the apocalypse” speech in the previews looked a little bit dumb and overdramatic. On top of that, I recently spent the day visiting the National Aquarium in Baltimore ogling at the marine life, so I felt that I was definitely prepared to see some Godzilla-like beings rise up from the depths of the Pacific Ocean and take the fight to arrogant humans, resting easy at the top of the food chain on their high horse. I was skeptical, but open to the idea that this movie could be good. Was I right to be skeptical? Absolutely. Was the movie still good? Let’s dig into that question…

Pacific Rim has a simple enough setup – aliens have launched an attack on humans, but instead of landing UFO’s or snatching bodies or using any other traditional form of assault, there have been monsters (referred to in the movie as Kaijus, which is Japanese for “giant monster”) rising out of the oceans on occasions to bring the fight to major cities spanning the entirety of Earth. In order to fight the Kaijus, humans developed a lot of tactics, with none working greater than the creation of multi-manned, super-large, weaponized robots (referred to as Jaeger) that do battle with the massive beasts whenever they rise from the water. The problem with the Jaeger, though, is that one person cannot handle the control of it independently due to the immense stress that such control puts on his or her brain. In most instances two people’s brains must join together (though the movie does show the appearance of more than two), bridging their minds, feelings, and memories so that their movements are completely synchronized while handling the Jaegers. The Jaegers were doing a fantastic job defending the cities around the globe. But eventually Kaijus started coming in more frequently, while growing more powerful and greater in mass. At this point the Jaegers have become less helpful, but there are a few that still cling to the idea that the fight with the Kaijus is winnable for mankind.

Enter the hero of Pacific Rim, Raleigh Becket, as played by Charlie Hunnam. Hunnam himself is well-known for his wonderful portrayal of Jax on the hit FX series Sons of Anarchy, and perhaps equally as well-known for his horrendous Cockney accent in Green Street Hooligans. His accent in Pacific Rim is a confusing one, making his origin sort of ambiguous; it seems like a standard American accent at times, but one that he struggles with, even though his Jax character sounds as American as possible. He is very muscular and sports a leading man’s body, as evidenced by the multiple times he is seen with his shirt off. He is solid in the lead, and has all of the physicality needed to play the part, but something about his performance did not sit right with me; I doubt it was entirely the accent, but I feel that he struggled to carry a feature film by himself (he needs to go back to being the heartthrob at the University of Northeastern California). Luckily for him, he has a solid supporting cast of other upper echelon television actors to help him bear the load.

Raleigh’s brother and Jaeger co-pilot Yancy is played by Diego Klattenhoff. If that name does not sound familiar, you may remember him macking it to Regina George as Shane Oman in Mean Girls, but if you are reading this than you should know him as Mike Faber on the Showtime phenomenon Homeland. He does very little in the movie and you will rack your brain to figure out who he is rather than watch his performance. The aforementioned star of Luther and The Wire, Idris Elba, provides another strong performance to pad his résumé, and an awesome name to go along with it. As Stacker Pentecost, Elba is the military official running the Jaeger program. Rinko Kikuchi is physically impressive and provides strong English as a young Japanese girl who finds herself entangled with all of the main characters. Max Martini of The Unit is strong in some of the film’s more dramatic points, interacting with his son and fellow Jaeger operator. Hunnam’s Sons of Anarchy co-star Ron “Hellboy” Perlman overplays a smug underground businessman. And last but certainly not least, the comedic edge of the Pacific Rim is provided by two squabbling scientists who are too intelligent to recognize common sense, and constantly bicker back and forth. Charlie Day, the best part of It’s Always Sunny in Philadelphia (a show which I am not a fan of by the way), plays Dr. Newton Geiszler, a Kaiju fanatic and lover of all things neuroscience. His other half, Dr. Gottlieb is played by Burn Gorman, who was once fan-favorite Owen on Torchwood and recently had a small role in The Dark Knight Rises. Dr. Gottlieb differs from Dr. Newton in his fascination with numerology over all other forms of science and logic. The two clash every time they are on screen together, creating an odd chemistry that is sometimes funny and other times annoying. Both are good at what they do, but what they are doing in a comedic sense is always a little too excessive for geniuses. The acting overall was solid, but never great. The cast was jam-packed with television stars (Hell, I even saw Andy from According to Jim with a tiny role) but neglected to put any real movie stars into the fray. It is not a bad move, but television stars are not movie stars for a reason. It is kind of like the 2009 Indiana Pacers: Mike Dunleavy, Dahntey Jones, Josh McRoberts, Brandon Rush, T.J. Ford, Roy Hibbert, Tyler Hansbrough, etc. That is one of the best groups of collegiate players you could ever ask for, but not the best group of NBA players (the Pacers finished tenth in the East that year by the way). What do you think happens when you assemble a large group of television actors for a movie? It will not be terrible, but it certainly can never be great.

Now, that is not to say that there was nothing redeeming about Pacific Rim. Something that I liked a lot was that it jumps right into the action. The first five minutes of the movie bring you up to speed on what you learn from the trailer and sets up the entire movie with brief backstory. Kaijus are already coming to Earth when the movie starts, so there is no boring, everyday life half-hour of on-screen boredom waiting for these beasts to arrive. Too often, movies go out of their way to let you know how normal their characters were before something cataclysmic took place. There is none of that garbage here.

In addition to the early take-off, it is plain to see that Pacific Rim was well made. The CGI (which everyone knows I have a serious disdain for) is very strong, and the crashing ocean waves provide a wonderful cover for the fact that it is all computer animated. The Kaijus and the Jaegers were all different from one another, which also provided the audience with a good variety of things to look at during the fight sequences. It kept me interested because I never knew what offensive or defensive tactics the Kaijus or the Jaegers would have at their disposal, so literally anything was possible during the fight sequences. That is enough to keep my mind from noticing how the menacing, towering sea monster was not real enough (that is sarcasm, I understand the need for CGI in this scenario and I am completely OK with it being used).

The storyline itself was not too complex. There were a lot of predictable points, and the characters were almost stock characters with how static they were for the most part. When a character tried to do something dynamic, it was clear and obvious that it would take place. In addition to that, the movie was a mixture of Godzilla and Voltron. Still, it seemed like a fresh take on alien movies in America, but in Japan I know that this is not a new idea and it has been done before. Still, this is America and I am not a connoisseur of Japanese monster films, so this was a new enough concept to keep me interested throughout the entirety of the film.

Pacific Rim was not a bad film by any means. It was fun and I found myself interested throughout its duration. However, there was nothing exceptional about it. The acting can tell the whole story; it was never bad, but never really good either. No one wanted to steal the show. Elba tried with a couple of over the top, leadership speeches, but he could only work with what he was given and those speeches fell short. There is really no blame to be placed anywhere because no one did a bad job. But no one did a fantastic job at anything either. Is Pacific Rim worth seeing? Most definitely. You do not need to run out to the local theatre right now though. If this is a movie that seemed like it would tickle your fancy then I suggest you see it soon. If you never really had any interest in it, then you can see it soon too as you will not be disappointed, but you can wait for it to come to you – there is no rush. In the meantime, go watch some movies from your Netflix Instant Queue so you can knock them off of your list and get your $7.99 worth.

SCORE (Out of 10):
6
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